The essential composition of HARBINGER came to me many years ago, and it has always centered on the wasp nest surrounding a stoplight—an omen of something running out of control, a slippage into chaos.
My initial inspiration, I believe, grew out of concern for the destabilizing and immense effects of global climate change, a sense of nature out of control and giving birth to unnatural and cataclysmic phenomena. I realize that it is not the happiest of subjects to dedicate a painting to, but the idea just wouldn’t let me go without painting it.Continue Reading
With this painting I revisit themes developed in my “Passage” series, which featured heavily in my first couple of one-man shows at the Tree’s Place gallery. All of the Passage works use the dream-object of the lighted bubbles—symbols of spirit or unfettered consciousness—to convey the idea of movement from one state of mind to another, a transition to a more open and lighted place; a release.Continue Reading
This is one of a pair of paintings done as an experiment to see how readily my acrylic painting style would work in the egg tempera medium. Both paintings are compositions using the same symbolic elements: an egg, an ammonite fossil, and the leaf of a ginkgo tree.Continue Reading
Oon March 4, 2014, Brandon Sanderson released his sequel to The Way of Kings, second in The Stormlight Archive series. Words of Radiance is such a large book—in both page count and visibility—that Tor commissioned the cover as well as a second illustration for the endpapers of the hardcover edition.Continue Reading