by Michael Whelan | Oct 30, 2020 | ART GALLERY, NOW ON VIEW
The anticipation that builds up to the release of a new Sanderson novel is enough to give me the collywobbles if I pay much attention to it. Expectations run higher with each of these long awaited events.
Fortunately TOR and Brandon have bent over backwards to make my job as manageable as possible. I usually defer to their sense of what’s appropriate for the book, for example, in selecting potential scenes for the cover, which still leaves room for interpretation and expression while simplifying my work quite a bit.
For the cover of Oathbringer, we centered on a scene where Jasnah confronts the invading army. A giant has smashed a breach in the city wall, and Jasnah is called upon to restore it. After dispatching several invaders with her Shardblade, she covers the gap with a brassy wall of magical metal. It’s a visual scene in which I saw a lot of possibilities for good images.
by Michael Whelan | Oct 15, 2020 | ART GALLERY, NOW ON VIEW
When Irene Gallo proposed a second painting for Words of Radiance, I immediately knew it was Shallan we were talking about. Like many fans, I felt the story was becoming as much hers as Kaladin’s; she merited equal representation in the book’s design, as far as it was possible to do so.
At the time I started the cover painting, I did not have a scene available that would allow me to portray her and Kaladin faithfully, so I resigned myself to focus on her in another edition later in the series. I was glad to hear that TOR wanted to go the extra mile in order to give Shallan space in this book.
by Michael Whelan | Oct 2, 2020 | ART GALLERY, NOW ON VIEW
As with any Brandon Sanderson book, there’s just too much content to distill such a complex tapestry into one image. Having such a rich world of possibilities is overwhelming: a well delineated but diverse cast of characters, strange yet compellingly natural flora and fauna, multiple story threads weaving from page to page…how does one choose what to present? It seems as if any choice will be wrong, for having to leave something else out that calls to be presented to a potential reader. Nonetheless, a choice must be made.
by Michael Whelan | Sep 18, 2020 | ART GALLERY, NOW ON VIEW
When I received the manuscript from TOR, I was somewhat dismayed that it was 1400 pages. Given the mood I was in, I felt that it would be tough sledding to work my way through a such massive fantasy epic.
As it turned out, I was soon hooked and lost in the world Mr. Sanderson so skillfully realized. It helped that the writing had a rich cinematic quality that brought images of scenes, characters and creatures to my mind as if I were watching a movie or immersed in a Myst-style virtual reality adventure.
by Michael Whelan | Jan 31, 2019 | ART GALLERY, PAST SHOWS
W hen I started posting to this gallery project—now going on its fourth year—I never imagined the staying power of these accidental creations and warm up paintings executed with leftover paints. Fans seem to love the casual drop-ins to the studio that these paintings... 
by Michael Whelan | Aug 24, 2018 | ART GALLERY, PAST SHOWS
Over the past two years, I’ve been documenting an ongoing gallery project made up of accidental creations and warm up paintings executed with leftover paints. These exercises not only offer fans a peek into the studio, they also help me build momentum... 
by Michael Whelan | Jan 7, 2017 | ART GALLERY, PAST SHOWS
Creative exercises can help keep an artist focused and productive. That was the thought going into 2016 with the Leftovers & Palette Gremlins project…and boy did the project prove essential in a year teeming with distraction. Looking back it’s hard to... 
by Michael Whelan | Jan 20, 2016 | ART GALLERY, PAST SHOWS
Leftovers are little spur-of-the-moment doodles or sketches created from paint left over from a work in progress. Most of these quickies end up in the trash, but some are kind of cool on their own and others have lead to full scale paintings.
I’ve been doing this since my art school days: THE PEEPER came from the paint left over from a piece done for my first professional portfolio.
Palette Gremlins are small creations found in random shapes, usually paint on a palette or the mat board I use to protect my drawing table. Often what I see is an alien or a face, but PASSAGE: THE RED STEP was suggested by shapes in the over-spray left from a complex airbrushing session.
In either case, when they spark an idea that leads to a larger work, it feels like a gift from my Muse! The point of it all, however, is to play with some paint — and see what happens.
by Michael Whelan | Dec 16, 2013 | ART GALLERY, AUTHOR GALLERIES, PAST SHOWS
Anne McCaffrey loved Michael Whelan’s covers—and so did the fans.
One of the things that sets Michael Whelan above some other cover artists is that he reads the books before he illustrates them, and that brings a level of detail to his covers that really makes them shine.
by Michael Everett | Dec 2, 2013 | ART GALLERY, NEW WORK, PAST SHOWS
LUMEN 9 originated from an idea that I brought home with me from the hospital in May of the year 2000. When the idea came to me, the only thing I had to draw on was an advisory pamphlet for patients, so I used the back of it for a rough sketch of the composition. I... 